David Wood

Frank Exchanges

Between 1959 and 2005, David Wood (‘the national children’s dramatist’) corresponded with his mentor, Frank Whitbourn, teacher, writer and theatre practitioner. Frank Exchanges opens with a letter from Whitbourn, praising a young Wood following a performance in one of his plays, and documents an almost fifty-year correspondence before Whitbourn’s death in 2005. Wood sent Whitbourn the first draft of every play he wrote, and Whitbourn commented constructively and often came to see and ‘review’ the plays in production.

The letters chronicle Wood’s development as a playwright, director and producer, and Whitbourn’s memories of pre-war theatre-going and meeting Sybil Thorndike, Harcourt Williams and other eminent theatre folk. It is a reflection on the provision, content and status of theatre for young audiences, and ultimately a testimony to the man who Wood considered a friend and mentor.

The See-Saw Tree

“That tree has a history. In the old days people called it the See-Saw Tree. One of its branches grew straight out, near to the ground. Children used to balance a plank over the branch and use it as a see-saw. The villagers loved that oak. And the See-Saw Tree was itself like a village. A living community of animals, birds and insects, going about their daily business. It still is. Just imagine how that community will feel should it be threatened. Just imagine what might happen if any of the Council’s plans went ahead and they cut down that oak tree, that special oak tree. Just imagine, just imagine …”
 
So says young eco-activist Elizabeth Green in her passionate speech against the felling of an ancient oak tree to make way for a new supermarket and children’s play area. 
 
She imagines the situation from the point of view of the creatures who live on and around the tree, who, thanks to the corporate greed of human beings, are now in danger of losing their much-loved home. The daily lives of tree residents, Owl, Squirrel, Mistlethrush, Dunnock and Bat, along with visitors Jay and Cuckoo, and Rabbit, whose burrow is nearby, are thrown into turmoil by the arrival of the Big Ones, the chainsaw-wielding human agents of destruction.
 
Can the creatures beat the impossible odds and save their home – the See-Saw Tree?

Elizabeth Taylor's Kiss and Other Brushes with Hollywood

“What a treat. An all-star cast with one thing in common: they worked with David Wood. And just for us he’s brought them to life again – and so vividly – in this irresistible memoir of his ‘brushes with Hollywood'." Gyles Brandreth

In this memoir, actor and writer David Wood recalls his ‘brushes with Hollywood’, notably being kissed on the lips by Elizabeth Taylor as midnight struck on his 22^nd birthday; playing Richard Burton’s servant on stage in Dr Faustus; being seduced by Shelley Winters in The Vamp, a television two-hander play; hanging upside down from a chandelier and being rescued by David Hemmings in the West End musical Jeeves; singing songs and being shot down in flames as a Royal Flying Corps officer in the film Aces High, in which he was reunited with Malcolm McDowell (his fellow rebel schoolboy in the film If….) and acted alongside Christopher Plummer and Simon Ward; sharing the screen at sea in an oil rig supply vessel with Roger Moore, Anthony Perkins and James Mason in North Sea Hijack; penning the daytime Emmy-nominated Back Home, starring Hayley Mills, thereby becoming a Disney-approved writer; and writing The Queen’s Handbag to celebrate the Queen’s 80^th birthday, performed in Buckingham Palace Gardens and seen live by 8,000,000 BBC TV viewers.

"I couldn’t put it down. It has all the charm and warmth and wit that is David Wood and his lifelong passion for the theatre is inspiring. I loved it." Hayley Mills