All is Fortune, which draws on my lifelong experience of the theatre, is my second book of fiction. The first was Sent Away, a novel for young adults, which was about the scandal of children being sent out to Australia, Canada and South Africa during the twentieth century. Otherwise I have concentrated on non-fiction, especially theatre.
As a theatre historian and biographer I have written acclaimed biographies of the actors John Gielgud and Sybil Thorndike. My book The Coming of Godot: A Short History of a Masterpiece was nominated for the 2005 Theatre Book Prize. My two most recent theatre books are Performing King Lear and Performing Hamlet, published by Bloomsbury in their Arden Shakespeare series. I have also written Don’t You Know There’s a War On? Voices from the Home Front, an oral history of the second world war.
During this time I have been the editor of the National Theatre’s magazine StageWrite and programme editor at the Old Vic theatre. I am also a regular compiler of theatre entries for the Oxford Dictionary of National Biography. I have written a stage play about Scott Fitzgerald in Hollywood, and a radio drama about the stormy relationship between Bernard Shaw and the celebrated actress Mrs Patrick Campbell.
I have two sons, and live in Putney in south-west London with my partner, the playwright Lesley Bruce.
This unusual collection of short stories captures the essence of life in the theatre. Behind the superficial glamour lies a world marked by ambition, jealousy and heartache.
Among stories featured in All is Fortune are an actress under stress at an audition, a struggling playwright committing a deception, a biographer falling out with his subject, a female playwright suffering sexual harassment, and many others. Lighter stories tell of the mysterious disappearance of a member of an amateur dramatic society, the unrequited love of a chorus girl in a musical, and a monologue by an elderly jobbing actor.
Jonathan Croall, a leading theatre historian and biographer, and the son of well-known actors, has created these imaginative stories with warmth, insight and humour, bringing vividly to life a host of well-drawn characters.
'Jonathan Croall has written extensively and illuminatingly about acting and actors. In these stories he attempts something different, a sequence of shiny, shard-like vignettes – some ironic, some poetic, some straightforwardly realistic – which reflect the life of the theatre in all its many aspects. Haunting.’ Simon Callow, actor and writer